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The Mouse That Cheated Death

The Mouse That Cheated Death

Fiction /
"The Mouse That Cheated Death" is a short story by Qatari writer Huda Al Naemi from her collection "Kaleela and Huda." ...

 ‘Writing Is Rediscovering the Tangible’

 ‘Writing Is Rediscovering the Tangible’
Interviews, Saudi Arabia /
Born in the mid-1980s, Ahmed Alhokail is among the most distinctive Saudi writers of his generation. In this exchange, he talks about placing the ordinary at the center of the story, classical Arabic narratives as a living model, Najdi oral storytelling and the uncanny, and the “global reader.” ...

Leri Price and Samar Yazbek Finalists for National Book Award

Leri Price and Samar Yazbek Finalists for National Book Award
News /
Author Samar Yazbek and translator Leri Price made the five-book shortlist for the 2026 National Book Awards for Your Presence Is a Danger to Your Life: Voices of Survival and Witness in Gaza ...

Fiction

The Mouse That Cheated Death

The Mouse That Cheated Death

“The Mouse That Cheated Death” is a short story by Qatari writer Huda Al Naemi from her collection “Kaleela and Huda.”

...

New Short Fiction: ‘Denial Likes Small Activities’

New Short Fiction: 'Denial Likes Small Activities'

This story comes from Hussein al-Abri’s latest collection, Time Slips Away in the Corner (2026).

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Classic Short Fiction from Tunisia: ‘Hajj Zayan’

Classic Short Fiction from Tunisia: 'Hajj Zayan'

Mostafa Khraïef (1910-1967) was a prominent Tunisian poet, writer, and journalist.

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Poetry

Mahmoud Darwish: ‘The End of Things’

Mahmoud Darwish: 'The End of Things'

There are events around the world this September 25-27 celebrating the poetry of Mahmoud Darwish, after the Arab World Institute and Centre Pompidou declared September 25 to be “Mahmoud Darwish Poetry Day.”

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Poetry in Translation by Fadwa Suleiman

Poetry in Translation by Fadwa Suleiman

“I’m sitting alone in my room / my clothes scattered around me”

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Texts After the Screaming

Texts After the Screaming

Nour Balousha wrote these two poems “after I stopped screaming, not because it ended, but because I grew too exhausted to keep screaming.”

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Interviews

 ‘Writing Is Rediscovering the Tangible’

 ‘Writing Is Rediscovering the Tangible’

Born in the mid-1980s, Ahmed Alhokail is among the most distinctive Saudi writers of his generation. In this exchange, he talks about placing the ordinary at the center of the story, classical Arabic narratives as a living model, Najdi oral storytelling and the uncanny, and the “global reader.”

...

On Music, Memory, and Damascus

On Music, Memory, and Damascus

“Music is one of the arts most connected to place, as it is a physical vibration in a space.”

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On Shaping ‘The Book of Damascus’

On Shaping ‘The Book of Damascus’

The Book of Damascus, ed. Zaher Omareen, is a new anthology in their “Reading the City” series. Here, editor Zaher Omareen talks with Fifi Bat-hef about selecting ten stories to represent a city as complex and storied as Damascus.

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In Focus

From Gaza
Between Two Arabic Translators with Yasmeen Hanoosh
May Goes On: (Re)-Introducing May Ziadeh

From the archives

Authors, Scholars, and Translators Look Back: On Radwa Ashour’s ‘Granada’

Authors, Scholars, and Translators Look Back: On Radwa Ashour's 'Granada'
Ten years after the death of the great Radwa Ashour (1946-2014), AUC Press has finally published Ashour’s complete Granada trilogy ...

Translating the Unseen: Gaza’s Sky and Anne Carson’s Vision

Translating the Unseen: Gaza's Sky and Anne Carson's Vision
Translating the Unseen: Gaza’s Sky and Anne Carson’s Vision By Alaa Alqaisi It began with an email from Dr. James ...

Jonathan Smolin on the Relationship Between Ihsan Abdel Kouddous’s Politics and His Novels

Jonathan Smolin on the Relationship Between Ihsan Abdel Kouddous's Politics and His Novels

“My book really is an examination of how he participated in the coup ,and how he believed fundamentally that the Free Officers were going to install democracy, and—once he realized that they were actually installing military dictatorship—the way he dissented, in the editorials and in person, the way that he was jailed, and the way he turned to fiction to express his dissent directly to Nasser.”

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