• A Rehearsal for Policy

    Well-meant policies keep backfiring: people treat a new rule as a problem to solve for their own advantage, the best-resourced adjust first, and the costs drift back onto the people the rule meant to protect. I propose rehearsing policy with AI: models play the people it touches, including enforcers, intermediaries, and a red team hunting for loopholes, so drafters can see who takes the detour and where the costs land before revising the text. It is a stress test, not a prophecy.

  • The Random Room

    A dream I had after writing Taste: a room at home that shows a different scene each time it opens, in groups that barely differ, and picking the best of each group is how I make a living. A choice that gets recorded becomes the next default, so taste starts being harvested the moment it is used. What can be learned is a preference. What cannot is a commitment, or the line between options and what is not an option at all.

  • Taste

    When options get cheap, the value is in the choosing. Industrialization pushed ordinary goods down to cost, and AI is doing the same to ordinary intelligence. What still carries a price is the choice made under abundance: what to make, what to leave out, what counts as done. That choosing is taste. It does not spend efficiency; it decides whether what efficiency produces still has a price.

  • Sensor and Actuator

    I was a technology optimist for years. What frightens me is not that AI takes the work. It is that cheap, fast, always-present intelligence demotes the person from subject to the AI's sensors and actuators.

  • Weft: an attempt to move composition to build time

    I tried to replace runtime configuration with compile-time composition, one binary per scenario. The paradigm held and the code ran, but I stopped — not because it was wrong, because it was early.